Showing posts with label inheritance. Show all posts
Showing posts with label inheritance. Show all posts

Sunday, 22 November 2020

No.337 : Wheels of Fortune (2020)

 


Wheels of Fortune at the IMDb

Badger out of ‘Breaking Bad’ stars in this redneck inheritance comedy which registered a single smile with this viewer. We open with Jeff Fahey, who we liked in ‘Machete’, out for a sky dive. His chute and backup fail but he is saved by a friend who  grabs him and eases him back towards Earth. Sadly the rescuer’s parachute is cut by a drone, but at least he softens Jeff’s landing. It’s not Jeff’s day however as he is then hit by a truck and seemingly fatally injured.


He runs a large company and his grasping children arrive at his bedside to hear who will inherit the business. Instead they are told of his long lost son Bo (Badger) who was the product of him slumming it some years ago. Bo is a mechanic for a tractor pull champion and he still laments the day when the lack of a clutch cable meant he couldn’t win the big race as a child, sending him on a losing spiral that has persisted ever since.


His fortunes look up however when Jeff, who has died off-screen, sends his lawyer to Bo to offer a challenge, the like that is only ever heard of in movies. The challenge is that if Bo can get a podium finish in four races over the next month he will inherit something that isn’t really specified. He isn’t keen at first, but the offer of $100 a day expenses for him, his idiot friend Noodle, and the love interest Mandy seals the deal.


The film then takes many predictable turns with the conniving relatives trying to stop Bo’s progress, him becoming an ‘internet sensation’ and of course him losing sight of what’s really important. With three podium finishes in the bag it all comes down to the monster truck racing - can Bo win the challenge? And what inevitable surprises lies in wait?


This was an awful Netflix find that has very little to recommend it. It was like a mash up between ‘Brewster’s Millions’ and ‘Run Ronnie Run’ but not nearly as enjoyable as either. It was a comedy, so the ridiculous premise can be excused to some degree, but how does a guy who dies unexpectedly manage to have an elaborate plan all set up, including a message dispensing suitcase and a schedule set up that begins the day of his untimely demise? That’s your clue actually; I just wonder if in real life the lawyers would tell him to piss off with the relatives getting him declared mental from the off.


Badger is kinda likable in the lead but his shtick runs thin early on and he doesn’t have what it takes to hold the whole thing together. The conniving relatives weren’t menacing at all and their characters were underwritten. I did like love interest Mandy, but she could have done without the inflated lips.


The only chuckle raised with me was the wise ticket collector who got the sack for dispensing sage advice. Other than that it was a dull ride though various motor sports with real footage inter-cut with our hero doing the ‘driving’.


The redneck humour offered no laughs with exchanges like ‘It’s a retinal scan’ / ‘You’re not sticking that up my butt’ being the standard on offer. If you are on your third bottle of wine you may snigger at the man being trapped in a porta-potty, but this was low brow fare that won’t last ten minutes in the memory.


Best Bit : ‘You're fired’  ‘W’ Rating 7/23



Saturday, 17 August 2013

No.203 : Where There’s a Will (2006)



 More schmaltzy Hallmark made for TV fodder now as we get a predictable ,but perfectly decent comedy drama, the plot of which can be guessed from the punny title.

Familiar character actor Frank Whaley gets the lead in an undemanding role as con man Richie who is in debt to a local heavy. As luck would have it he’s been traced as the sole relative of an old lady in Texas, whom we’ve already witnessed checking her bulging bank book. Hard up Richie heads straight to Texas in his Trans-Am making us wonder why he doesn’t sell that to save his legs instead. Still they’ve put some filler on the fender to make him look like he’s on his uppers, so that’s OK then.

The old lady is playing it for laughs with pratfalls off her reclining chair but we know she’s as sharp as a tack and certainly a match for the gormless grifter. Grandma is played by the mum off ‘Happy Days’ and has a blonde helper who looks like Sharon off ‘Eastenders’. Frank and the help hit it off and enjoy a  small kiss but he still has designs on the family fortune and engages a lawyer to have the old bat declared incompetent.

Elsewhere the heavy has tracked Frank down offering a tiny bit of danger that’s soon seen off by far too nice Sheriff Keith Carradine. Frank also has a rival in an aged granny grabber who has designs on the old lady’s bloomers and has sussed our hero for what he is. But wait, the small town friendliness has changed Frank and he has gained love for Granny after her makeover and he's started to look at his own abandonment issues.

Can Granny and Frank both find happiness and will the house go to the most worthy beneficiary?

This was low key stuff but totally inoffensive with a couple of touching moments - or moments of mawkish sentimentality if you’re a cynic like me. Whaley does OK in the lead but I was never convinced with his bad guy persona or of his plans to swindle the old woman. We know from the off that she was more than his match and the only question was whether Frank would fall in line or be chased off the claim by the wily widow.

The romance angle was tacked on and the kisses exchanged looked awkward and unconvincing. Frank’s about turn, which literally happened overnight, was completely unheralded although they did try to use the metaphor of an unfinished jigsaw left by his absentee mother and some sepia shots to convince, I wasn’t buying.

Marion Ross as the Granny was likeable but her slapstick was a bit overdone and scenes with her chair and with a map just looked silly and unconnected to the rest of the drama laid out before. Carradine as the no nonsense but overly wise Sheriff was underused in an underwritten part and his only real scene was unconvincing as he talked the gangster out of knee capping Frank.

To be fair if you are watching a drama on the Hallmark channel about people vying for a will you can't complain about ‘Where There’s a Will’ as it was almost to the moment what I expected.

Best Bit : Vows of Last Rites?  15/23


Wednesday, 8 May 2013

No.189 : Widow on the Hill (2005)



Made for TV true crime drama next - you can accuse us of cherry picking here at the 'W' Movie Blog.

Natasha Henstridge stars as Linda, the titular widow who is a nurse with a penchant for low cut tops. The film has the narrative device of a TV show interviewing Linda as she faces a murder charge. The story is then told in flashback with occasional cuts to the present day as the interview develops. We learn from the off that Linda has been accused of killing her new husband, James Brolin.

We meet James in livelier times as a wealthy landowner whose wife is dying. He hires a nurse from an agency and gets Natasha - Bingo! James’ daughters don’t like the new lady in their Dad’s life and worry she’s a gold digger. Pretty soon James’ wife shuffles off and in no time Natasha is in the wife’s fur coat and in his bed. Her sexy style turns the old man’s head and she’s married to him in no time flat.

His daughters however fail to be won over especially as the new wedding ring is the one mum promised to her daughter. The lovely Natasha starts to woo her way into the county set but we all know she’s after his cash - or is she? Have we been seduced by the evil schemer or does she really just have a taste for James’ silver locks and outdoorsy style?

It’s not long before she starts shagging the staff and threatening the family - can this total bitch get away with ruining the family and inheriting the house?

This was a decent enough TV drama but there wasn’t too much to recommend it apart from Natasha running about in a fetching black bra and panties set. Her character was thinly drawn and we knew she was a wrong ‘un from the off with her scheming and manipulating. She didn’t offer much that would garner our sympathies and although she was set up to be a villain she just came across as a bit of a bitch.

Brolin is always likeable but he lacked believability as the rich sucker being drawn in by feminine wiles. His two suspicious daughters were just annoying and the supposedly drunk one didn’t look like she'd ever had as much as a sweet sherry.

The narrative device of the news show was a decent stab at keeping us guessing with the story being broken down to small chunks, with the present day Linda commenting on the events we’d just seen. There was no prospect of any surprises however with Brolin’s fate sealed before we met him. The script was so biased against the slutty wife that we knew the outcome early on but it was good fun to see how evil she could get while wearing a succession of bras.

It was a strange choice to have the whole film build up to the trial and then cover the court action itself with a couple of on screen captions. Maybe they ran out of cash or indeed underwear.

The production values were decent enough but it was essentially a family drama set in a small town so it didn’t need a Death Star or cast of thousands. It wasn’t anything to rave about but it’s certainly worth a look if you catch it on late night TV.

‘W’ Score 15/23