No. 351 : Wrath of Man (2021)

 

Wrath of Man at the IMDb

I saw a trailer for a new Guy Ritchie film starring Jason Statham, Josh Hartnett and Eddie Marsan called ‘Operation Fortune’ that looked a lot of fun. I was surprised to see it pop up on Amazon Prime, but it turned out it wasn’t the fun caper film from the trailer but a heist movie involving the same people. It’s almost like they finished one film early and decided to bash out another seeing as they had all the crew assembled. If my assumption of this cookie cutter approach is correct, one film would have to be the poorer cousin; but which one is it? It’s this one!

Jason plays his usual character - bald and gruff ex-special forces with a mysterious past - who on this outing is called ‘H’ - they may have been trying for a Steps sub-plot, but it wasn’t really developed. The film opens with a heist which we see from the security van’s crew’s perspective. Something goes awry and we hear that two guards and a civilian have been shot from the police radios - remember that for later.

We then meet Jason who is applying for a job at the security firm three months later. He’s told of the previous robbery and is taken through his paces by ‘Bullet’, the senior guard at the firm. Jason barely scrapes a 70% pass mark at the evaluation, but we suspect that he has more in his locker. True to form his van is soon held up, but Jason shoots up all the bad guys without drawing sweat or changing his facial expression. Company rules say that any incident involving a fatality means those involved should get a desk job, but the boss tells flunky Eddie Marsan that Jason should be promoted instead - he does have top billing, after all.

Meanwhile we meet up with the troupe of bad guys run by ‘Burn Notice’s Jeffrey Donovan. He’s getting on a bit so he gets some help from Clint junior, Scott Eastwood. Scott has a bit of a cloudy eye, so we know from the start that he’s a total psychopath. The robbers are ex-military and are keen for a big score and target Jason’s depot on Black Friday when there will be $150 million cash on hand - haven’t these people heard of credit cards?

The narrative jumps back and forth in time with captions appearing regularly - at one point we are five months back and then it’s ‘3 weeks later’ from then or now? It does get a bit confusing. There are also chapter titles which define the 3 acts, which just come across as pretentious in a film with low aspirations, such as this. Just remember Jason has a soppy son he dotes on and that there’s a mole in the security network who is almost definitely the one you think it is from the start.

This was a half decent offering, and if you are of mind to stick on a mindless Jason Statham film you won’t be disappointed. This isn’t one of his light-hearted efforts where he drops a couple of zingers, this is the brow furrowed and no shit taken Jason with plenty of double taps and needless blood letting.

The non-linear narrative is easy enough to follow, mainly because every ‘twist’ was signposted brighter than a Christmas tree. We know Jason is on the path of vengeance - the title is your clue - and it didn’t take much mental agility to work our where he’d been wronged and who needed shooting to sort things out.

The characters are all wafer thin, but it did seem pointless to kill off virtually every one of them. I know it makes the baddie a bit more ‘boo hiss’ if he kills a few people we have investment in, but sadly the investment was nil, with the interest rate even lower.

Donovan had very little to do and it looked like a lot of the principals did their work in a few days when it suited their schedules. The film lacked any of the glamour or budget of what ‘Operation Fortune’ promises and clearly this effort will be seen as the runt of the litter. For a film like this to succeed you need to really care about the character and his motivation. Here Statham’s character didn’t make any sense, nor did his involvement in the initial heist. ‘We need you to tell us if the truck goes left or right’ says the mysterious overlord on the phone. Given the ambush was set up on the right it didn’t really matter what Statham called in, as that was their only chance of success anyway. Why Jason and his son stopped for a front row burrito was just illogical.

Anyway , slice and dice it anyway you like this was an unsatisfying revenge flick that had some decent gun play and a few familiar faces looking for an easy pay day. It was competently made but totally forgettable and a lesser Statham, if there is such a thing.

Best Bit : Jason drops his burritos ‘W’ Rating : 10/23

No.280 : War Horse (2011)

War Horse at the IMDb

It’s not often we get a tent pole release on the W movie blog but I had the Blu-Ray of this sitting on the shelf for ages, so let’s have a look.

Directed by Steven Spielberg, I would normally have looked this up before but the wife saw it at the cinema and had such a tearful experience that she didn’t want to watch it again. Still that’s what man caves and lock downs are for.

The film opens with a horse being born. Can’t fault them for missing bits out. The horse is sold to a pissed up Peter Mullan at market who has no business buying a thoroughbred at market, apart from noising up his landlord, David Thewlis. Thewlis is made out to be a bit of a dick for wanting his rent off the permanently pissed Mullan, but you can hardly blame him. Mullan’s son Albert takes charge of the horse which he calls Joey.

Joey manages to plough a rocky field against all odds giving the locals their best entertainment in years. ‘Love Island’ was still a madman’s dream. Despite its great work with plough, Mullen sells the nag to Loki when his turnip crop fails. Loki is the nicest man in the army who needs horses for the recently started first world war. He promises to keep in touch with Albert but that plan fizzles out when his and Dr Strange’s battle plan turns out to be a load of dated bollocks.

Joey then falls into the hands of the Hun but luckily it’s the nice Germans that we rarely see on film. After a short period of ownership the German owners get shot as deserters and the horse takes up boarding with an old French man and his granddaughter. After a two minute ride the horse gets captured again by the Germans and is tasked with pulling artillery. With its luck it must have done a dump on a leprechaun.

Meanwhile Albert has enlisted in the army and has a date at the Somme. Can the man and horse be reunited to live happily ever after?

This is a quality film with some cracking sequences and star names popping up at every turn. The scenes on the Somme were fantastic, especially when Joey loses a fight with some barbed wire. Once again the Germans turn out to be nice and that’s the pervading feel of the film. Everyone is decent really - surprised that they managed to start a war!

The horse itself doesn’t have much in the way of character but it’s used as a cipher to show the various theatres of war and the consequences of it. There was plenty of gruesome deaths and the trenches were well realised. The various vignettes showing the horse’s different owners were a good device for speeding the plot along and to keep us engaged. I don’t think I was ever that taken with the horse, which looked largely disinterested throughout, but the human interest angles were well done and it would be a man of stone who wouldn’t shed a tear at the sepia toned, sunset finale.

It is a bit long at 140 minutes but there is a lot packed in and practically every British character actor you can think of - I liked Eddie Marsan’s tough as nails but nice really sergeant and Davos Seaworth’s kill ‘em no cure ‘em doctor.

Overall this is an impressive and emotional ride on an old nag that they couldn’t put down.

Best Bit : The Major put in £10 - sob!  ‘W’ Rating 19/23