Sunday, 28 June 2020

No.296 : Wounds (2019)



I never seek out psychological horror movies as I like a bit more show than tell. A hoard of zombies running around whilst on fire is always more entertaining than someone suffering some inner torment. Still, Netflix offered this one up and rather than scroll through any more options, I thought I’d give it a go. It was actually quite good and certainly better than the 4/10 it had garnered on IMDb.

That’s not to say it’s not without its flaws, and if you asked me to nail down exactly went on, I’d be struggling. I’m sure that was the intent; have a discussion and a think about it - not everything in life arrives on a plate.

The always watchable Armie Hammer stars as a New Orleans barman who works in a rundown booze shop, complete with cockroaches and colourful customers. Naked patrons drink for free, but alas the only person taking up the offer is a massive lady who plays pool.

The bar goes from empty to manic in moments as a fight breaks out leaving one drunk local with a huge wound on his cheek. The rest of the customers clear out, including a table full of college kids. When clearing up Armie finds a phone and heads home to his partner, her out of ‘50 Shades’. He manages to crack the phone and immediately gets messages begging for help. He assumes it’s a prank but when he investigates further the next day, he finds photos of bloody murders.

He goes on his errands and looks in on the slashed customer who refuses treatment despite the wound looking infected. He also notices that he’s being tailed and when he checks the phone it turns into a big bug so he lobs it out of the window, where it’s retrieved by his stalkers. The police, understandably, can’t do much but 50 Shades is doing her own research. She gets transfixed by a big black hole on the internet (a familiar tale) and researches a book called ‘The Translation of Wounds’ that details creepy rites and portals.

The couple fall out after Armie tries it on with an old flame and accuses 50 Shades of having an affair. He tries to secure a bed at his wounded friend’s place whose cockroach problem is getting worse - but not to worry, the friend has a new phone and a present awaits!

I enjoyed the first hour of this film but it tapered off at the end as Armie started to be overtaken by his demons and the story unfolded. There was no identifiable bad guy with the college kids only being seen at the start. I get that they opened the portal and the evil within was looking for a new host, but against the grubby New Orleans background it all seemed a bit fantastical and unlikely.

The opening scenes in the bar were enjoyable with the build up to the melee well done, as each participant was introduced. Armie and his partner didn’t seem a good match and their constant bickering was a pain. I did like the feel of malaise that permeated throughout, with the odd cockroach soon growing to a full on infestation - and more.

The idea of college kids raising an evil spirit was as old as the hills but at least they changed the formula somewhat with a kind-hearted bar tender getting dragged in due to his good deed.

The end scene was disturbing and although what went on was open to interpretation, I don’t think Armie is going to make happy hour. Decent entertainment was had, but if this were a bit clearer and not so contrived I think this could have been a winner.

Best Bit : Bit of a Bug Problem ‘W’ Rating 16/23



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