When you carry out a Google search on ‘W’ films, one of the most prominent is ‘White Oleander’. For some reason I’ve always avoided it. It does have a heady IMDB rating of 7.1 and boasts a stellar cast of Michelle Pfeiffer, Robin Wright Penn and Renee Zellweger as well as Billy Connolly; but it has never appealed.
Still, needs must, so here we go. To start with a ‘white oleander’ is a poisonous plant and the film concerns a girl’s journey through a succession of care homes after her mother (Pfeiffer) is put in jail after killing her boyfriend, Connolly - maybe he left one too many wee jobbies in the toilet for her liking? - the matter isn’t fully explored.
Our old friend the non-liner narrative is employed so a lot of stuff has to be pieced together, but we soon get the idea that a broken childhood is in play and that emotions and relationships are the main focus, which will need some careful analysis. You can see why this one was well down the ‘must see’ list!
To be fair the film does keep a decent pace and your buy in is committed to early on. Alison Lohman is excellent as our main protagonist, Astrid, and you’ll probably know her from being the young Jessica Lange in ‘Big Fish’ and from ‘W‘ favourite ‘Where the Truth Lies'. The film is told from her perspective and, initially, her world seems all askew as her mother is carted off to the clink as she is placed into a succession of foster families. The first family host loads of troubled kids and they try to teach their charges the benefits of the good book. Alas the ‘good book’ seems to be the Karma Sutra as a lot of shagging and associated jealousy goes on, that sees Astrid cast out of this home and into several others.
Meanwhile Pfeiffer is writing to Astrid from prison to explain her actions and to beg forgiveness. We also get snippets of her explosive relationship with Connelly which don’t really ring true, but are fun all the same. Despite her miserable existence in a care home, Astrid does find some happiness in a fledgling relationship with Patrick Fugit, who still has his ‘Almost Famous’ haircut present and correct.
Things look up when Astrid (who at this point looks at least 20 - the actress was in fact 23) is placed with a new foster family - Renee Zellweger and her husband. This was never a promising placement as the husband was probably already having an affair, and when Zellweger goes to meet Pfeiffer in prison, we know things won’t end well. When Zellweger achieves the Guinness World record for ‘longest lie-in on record‘, Astrid is again back in the system - can she ever find happiness and freedom from her jailbird Mom who has a svengali type influence over her?
If you like ‘problem people’ this film will be a hit for you - I thought everyone involved was a bit whiny and needy, and I was glad when it was done. To be fair it was well made with the confusing and non-linear narrative well laid out, with Astrid’s suitcase dioramas being explained as the film progressed. I didn’t really buy her relationship with the boyfriend and Connolly was woefully underused - I don’t think he had a single line to camera - he's only seen in the background, being abused by Pfeiffer. Nice work if you can get it.
Pfeiffer was the standout as the chilling and controlling mother although she looked a bit too well scrubbed after years in the big house.
The main killing was only touched on and we have at assume Connolly had been fed too much of the titular plant. The point of the film was the mother-daughter relationship and it’s fair enough that the focus was on that. There just seemed to be several more interesting films going on in the background that were tantalisingly just out of reach for this viewer.
A decent effort that will no doubt resonate with many who have mother issues. I just felt it was a bit dull and unsatisfying.
Best Bit : Fun Times With Renee ‘W’ Rating 13/23
