Monday, 4 January 2021

No.347 : Wild Rose (2018)



Off to the sunny climes of Glasgow now, as we witness one woman’s struggle to become a top country singer - don’t say ‘country & western’, that’s a no no.

The ‘Rose' of the title is Rose-Lynn a young Glasgow girl who, when the film starts, is being released from a one year sentence in prison that she received for smuggling drugs. She’s escorted out by Stevie the Bookie, and heads home on the bus as the opening credits roll, against an endless backdrop of country music. If you don’t like country music this is one to avoid, as it’s wall to wall.

She meets up with, and pumps, her old boyfriend before heading home to her mother's, Mrs Overall, who has been looking after her young children for her. She still harbours an ambition to be a country singer and heads back to reclaim her job at Glasgow’s Grand Old Opry. This goes poorly, partly because someone else has her job and partly due to Janie Godley being the barmaid.

Rose-Lynn has to wear a tag which inhibits her plans to be a club singer so she gets a job at a fancy house as a cleaner and befriends the  owner, Susannah. Susannah is a classy lady who married a boy made good from Clydebank. Despite her constant swearing she takes to Rose-Lynn despite the hammering her booze takes when she’s out.

Susannah’s connections in the media get Rose-Lynn a meeting with Radio 2’s Bob Harris who shows what a good DJ he is when he tries to act. He tells Rose-Lynn that she’ll need to write her own songs to be a success, but Rose-Lynn thinks if she can get to Nashville things will all be OK.

Things look up when she wins her appeal against being tagged and Susannah offers to sponsor her trip to the States. Trouble looms however as Susannah’s husband uncovers Rose-Lynn’s past and her ability to screw up every opportunity presented to her looms large. Can she get to Nashville and will this be the key to success that she imagines?

I quite liked this film but it suffered due to Rose-Lynn’s character. I get that she was meant to be a free spirit but her selfishness and rudeness throughout was a turn off for me. I know this was a path to her ultimate redemption but it was cringey to see all the people trying to help her only to be let down by Rose-Lynn’s tunnel vision ambition and lack of empathy. She was well played by Jessie Buckley, who certainly can sing, bit I had no investment in the character who was a serial waster.

It’s probably true that she was just immature but her realisation towards the end about what was important and what was her ultimate redemption seemed totally unearned.

The film was well made with the grimmer sides of Glasgow well realised, as were the more affluent. Mrs Overall did a passable Scottish accent and a few of the Glasgow characters, many of whom were never actors, added a bit of colour and realism.

The endless country ballads were a bit off-putting for me but if you like that sort of music, then is is one for you. The character’s miserable existence sprinkled with some hope for the future was like a 100 minute country song in itself and if that appeals then you, then you should fill your cowboy boots.

Best Bit : Opry Finale  ‘W’ Rating : 14/23




 

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