No.323 : White Fang (1991)

 

White Fang (1991) at the IMDb

Jack London’s book ‘White Fang’ has had half a dozen movie adaptations and you’ll be pleased to learn that we are just going to have a look at one of them. This review is for the 1991 version starring Ethan Hawke and directed by ‘Grease’ helmer, Randal Kleiser. It’s a Disney adaptation and probably the safest and most family friendly of the bunch. It does have a couple of slightly upsetting moments that may cause the five year olds in our readership a small pause before they decide that it’s OK, no one has really been hurt.

The film is set at the time of the Klondike gold rush. Hawke plays ‘Jack’ - presumably named after the author as there is no one of that name in the book - one of many prospectors seeking their fortune. Jack is heading to his father’s gold claim and is a complete novice who gets robbed as soon as he arrives in town by Ajax out of ‘The Warriors’. He manages to traverse the steep mountain pass that leads to the gold fields and hooks up with his Dad’s old pals, Largo off ‘Never Say Never Again’ and poor old Seymour Cassel who plays a wolf banquet.

The two journeymen gold hunters take Hawke on their trip to bury a dead colleague at his favourite spot. As they set off we also witness a pack of wolves killing a rabbit - one claims a paw which it takes back to its lair to feed to its young cub. We later learn that this is a wolf/dog hybrid is of course, our old pal, White Fang.

The lads manage to spill the body into a frozen lake and lose most of their gear. They are being stalked by a pack of wolves and soon Cassel becomes their dinner. Largo and Jack form a bond and soon they are at Dad’s old claim. Meanwhile White Fang has grown up and is being looked after by native American, Grey Beaver - I think I’ve seen that film.

Grey Beaver gets conned out of White Fang by Ajax who starts to fight the dog/wolf for cash just as Jack strikes it rich. Can White Fang and Jack get together and forge the bond we always suspected they had?

This was a decent offering that had a few moments that made me forget it was a schmaltzy Disney interpretation, of this tough frontier text. I liked it when the blue corpse escaped from the coffin and dragged Jack under the ice of the frozen lake - bet that gave a few kids nightmares. To be fair the animal action betrayed any sense that the film was realistic with the central casting animals failing to deliver a drop of blood. The action was OK though, with a grizzly fight being the most impressive.

The mining was well done and my experiences of watching a dozen seasons of ‘Gold Rush’ meant that I enjoyed the proto-trommel and shaker beds. The cast were serviceable but clearly second string to the animals and scenery. Hawke didn’t convince as Jack and his relationship with the dog seemed perfunctory at best. It would have worked better if he had raised the wolf as a cub rather than just picking it up after a dog fight.

Largo went through the motions and Cassel became a motion just 20 minutes in. The baddies were scenery chewing bad, although they did exhibit most of the ‘boo hiss’ qualities their thinly written panto baddie roles deserved. The murderous showdown ended tamely with Ajax getting a bite on the bum for all of his nefarious deeds.

The gold strike seemed somewhat unlikely as did the cast's plans to bugger off to San Francisco the day after striking it rich.

I never bought into the boy and wolf bond, but the film was well shot and hit enough marks to allow it a pass on the ‘turned out well in the end’ front.

Best Bit - Grizzly Attack - ‘W’ Rating : 16/23

No. 138 : What Doesn’t Kill You (2008)

What Doesn't Kill You at the IMDb

Here’s a film that’s familiar on many levels but still offers enough nuggets of interest to garner pass marks. It opens with a botched armoured car robbery with an off duty policeman interfering with the sloppily planned job. Ethan Hawke pulls off his mask and strides towards the have a go hero with his gun blazing. Before we find out the outcome of the shoot out we dissolve to the past and learn that this is one of those films where we’ll have to watch for 90 minutes just to get back to the starting point.

Hawke and ‘W’ thread friend Mark Ruffalo are a pair of tearaways who grow up on the tough streets of Boston. We see them as teenagers running errands for the local Irish villain and then 15 years later, still doing the same petty crimes. They try to branch out on their own but an early heist involving dodgy TVs sees them sent down for five years.

Ruffalo eventually makes his parole but Hawke gets an extra six months for bashing a nonce. Our man finds it tough on the outside and soon the nuns and the gas board are looking for their overdue cash. With jobs hard to come by Ruffalo struggles with staying away from petty crime and the bottle. With breaking point reached Hawke gets out and suggests that the end to their trouble can be found with one last big job. With the stick up fast approaching we have to guess who’ll be on the crew and whether it’ll be successful.

We’ve seen most of this stuff before with films like ‘The Departed’ and ‘The Boondock Saints’ heavy influences here. The two leads are excellent and I thought Hawke in particular was very reminiscent of his recent outing in ‘Before the Devil Knows You’re Dead’. This film isn’t as good as that one but that’s obvious seeing that it doesn’t have Philip Seymour Hoffman or Marisa Tomei displaying her charms. We do get Amanda Peet as Ruffalo’s wife but all she does is moan a lot.

The idea that the two protagonists are on a road that has no exits is, again, a well worn one but they could have jazzed it up somewhat as they were basically saying that if you can only get a crappy job you may as well rob banks. The bad guys lacked a bit of menace and while I’m sure their casual threats delivered from their cosy bar was meant to be reminiscent of ‘The Sopranos’ they served only to show their shortcomings next to that series.

I did like the interplay between the two leads with some of their capers such as dognapping clearly played for laughs. Ruffalo was a bit too anguished as the tormented family man trying to do the right thing but overall I cared a bit so something was right. The ending delivered a rather unearned surprised and my usually favoured ‘what happened next’ captions seemed somewhat out of place here, reminding us that it was a movie rather than a gritty drama.

Despite the various nits the film is better than average but not as good as any of the other stuff I’ve compared it to in the review. So there you have it, if the faint praise doesn’t kill you it’ll only make you stronger.

Best Bit : Nonce Gets His Dues
‘W’ Rating 15/23