Monday, 12 January 2026

No. 362 : We Are Your Friends (2015)

 



Time for a bit of a rave now at the W Movie Blog as Zac Efron takes us on a whirlwind tour of a vapid DJ’s rise to stardom.

 

The film’s hero, Cole, is listed as 23 with the 28 year old Efron looking all of the five years older than he’s supposed to be. I guess it would look a bit sad if someone was nearly 30 and still struggling with ‘what will I do with my life’ type issues.


Cole is a DJ and looking for a big break. A chance encounter with a superstar DJ gives him some hope, but of course the famous DJ has a sexy girlfriend that Cole lusts over. Whilst trying to spin the wheels of steel, (he's actually more of a laptop man) Cole tries to arrange some DJing gigs with his friends and generally hangs around a lot. The gang do get a job at Jon Bernthal’s boiler shop property business, but our guys are better than that!

 

Are they though? They seem like a bunch of drug taking wasters! Cole gets offered a big gig but makes an arse of it by sleeping with the superstar DJ’s girlfriend and by calling him a has been. Later some more drug taking claims a victim and Cole re-evaluates his life choices – can he make the record that will seal his DJ credentials?

 

I must admit to quite enjoying this film despite it’s overly familiar premise and unlikeable cast of characters. For a start it’s always sunny and everyone is gorgeous, so there is that. The plot is so familiar you’ll think that you have seen this before, but given its box office, you likely haven’t. It does however ask little of the audience and it has a banging soundtrack, albeit one that relies of the euphoria burst style of music a little too often.


There were some decent touches such as Cole’s voice over animated description of how DJing works – and it’s not just sticking on a load of records people! There was also a fun sequence where Cole takes drugs, and the scene becomes slowly animated as he gets more and more mashed.


The subplot of the exploitative mortgage scheme didn’t go anywhere, and Jon Bernthal was largely wasted. It did teach the kids that capitalism is wrong however and they’d be better off in clubs and taking drugs.

 

Efron is good as Cole but he is a bit too old and I didn’t really buy his character who seemed like a sneaky and ungrateful wee shit. His epiphany at the end that his killer tune should be sounds from real life was a bit silly and I doubt many of the punters in the Glasgow Tunnel would have indulged his five-minute build up and the track which included sound bites from his pals.


All in all it was a vacuous and pointless exercise, but the kicking soundtrack and bikini clad ladies made it a passable experience – but only just!


Best Bit - Pool Party

W Score 13/23


Saturday, 3 January 2026

No. 361 : Wake Up Dead Man (2025)

 


 

This is the third film in the ‘Knives Out’ franchise, with the first reviewed in my Michael Shannon blog and the second’ Glass Onion’ not bothering the scorers. I have now watched them all, and although they qualify as decent entertainment, I doubt they could be seen as the event movies that Netflix seem to have them down as, or worth their $200m budget. In fairness that money is all on the screen, given Daniel Craig earned a reported $1m a minute for his less than one hour screen time.


Still, budgets aren’t all, and if you can get a fun murder mystery on screen who cares what it costs? Well, Netflix shareholders only, as my £6.99 subscription is the same whether I watch this or some 70’s sex farce from the UK.


Craig once again plays his flamboyant detective Benoit Blanc who, whilst presumably French, has a ridiculous and wavering accent and a dress code that Dick Emery would have issues with. Craig doesn’t appear for the first 30 minutes as the murder, with which the film is concerned, is played out. The narrative is that familiar style of someone writing a letter as we dissolve to the action. A young priest with a chequered past is sent to a new church to assist Josh Brolin who is as convincing as a priest as Kenneth Williams would have been as Dirty Harry. Brolin makes the younger cleric take his confession, which is mostly about him wanking a lot.

 

Brolin is assisted by church elder Glenn Close, and he has several parishioners to contend with including Andrew Scott, Thomas Hayden Church and Hawkeye off ‘The Avengers’. You can’t say the cast list isn’t stuffed, but it does seem like overkill to have so many familiar faces shoehorned in. You could argue it’s like a panto or old Agatha Christie film, but it does take you out of the action when Mila Kunis shows up as the cop and Jeffrey Wright as the Archbishop. I’m guessing there will be no prizes for the casting director here!


The victim is Brolin and the young priest is the prime suspect. For reasons unclear Blanc is in town and keen to solve the case with his customary and annoying arrogance. He asks the priest to write out everything he remembers and that takes us full circle to the letter writing opening.


There are a couple of decent twists and several unlikely ones. Various cast members get bumped off and a convoluted story about an $80m diamond is revealed – that’s so much money you could get nearly two Daniel Craig performances! Some of the twists are telegraphed like the impenetrable tomb which can be easily opened from the inside – remember that throwaway fact for later kids!


Overall, this was a decent offering, but it was probably my least favourite of the franchise. I think the re-treaded formula is wearing a bit thin, with the players and the murders laid out before the inevitable denouement where twist upon twist is unravelled before we learn the contrived truth.

 

The murder here seemed awfully unlikely and dependant on a lot of chance events falling into place. It plays out OK at the end, but in reality many of the moving parts would have derailed the intricate plan long before the murderer and fate of the diamond were decided – I managed to figure out both, and I’m a bit slow at this stuff!


The plot was thin for an over two hour run time, and I may have dozed off for five minutes in the middle – that was fine though, as everything is explained in minute detail at the end for the thick people and those who’d fallen into a turkey coma. These films are an ensemble piece, and it is always fun to see your favourite actors ham it up and play in the dress up box. That said, it is debateable whether this is worth a large chunk of your TV viewing allowance and if this was the end of the franchise, I doubt I’d notice or be upset.

W Rating 13/23 Best Bit : Confession Time