* I watched this film and wrote a review for my new Michael Shannon Blog 'Michael Shannon and On and On' which will debut sometime soon. Check back here later and I'll link it when it goes live. It would be a disservice to my one follower to not add a review here on the W movies blog, so I have adapted it for this audience with the more Shannon-centric comments removed.
***************************************************************************
Five years after the devastating events of 9/11 director Oliver Stone assembled a star studded cast to try and tell some of the stories behind the disaster. It would be churlish to criticise it too much as it is well intentioned and celebrates worthy people, but you may find it a bit mawkish and sentimental.
The film centres on Nicholas Cage’s Port Authority cop John. After the attacks take place – mostly off camera; we see only a shadow of a hijacked plane – Cage is sent down to the site to assist in the rescue effort. He comes over as a bit cautious and fusses about looking for equipment as the towers burn and fall. I’m not sure what was being conveyed here – was he playing it safe and by the book or was he fearful of walking in to near certain death? His choices are quickly made for him however, when a tower collapses and he and his men dive into a lift entrance that quickly collapses. Most of the men are killed immediately, with another shooting himself in what I trust was a true incident, as it seemed a bit unconvincing in the film.
Cage and his colleague Michael Pena survive, but both are trapped by their legs. The remainder of the film documents their bid to survive as they comfort and cajole each other to stay awake and listen out for a rescue. As they do so we enter their minds and see flashbacks of better times. They also have visions of Jesus and imagined conversations with their wives. These scenes took me out of the moment somewhat and although they may be accurate to the men involved, it just seemed daft when a vision of Jesus came down to offer salvation. At least he brought a bottle of heavenly water with him.
Whilst our guys struggle with their predicament, the film intercuts with real life events, with stock footage from the day interwoven with scenes of the wives and family back home awaiting to hear of their men’s fate. The women in this film are poorly served with Pena’s partner, a pregnant Maggie Gyllenhaal, being annoying throughout and Cage’s Maria Bello having weird eyes. IMDb says her eyes were colourised for the film and it is poorly done and distracting.
We also get a couple of side stories with Michael Shannon's ex-marine accountant going back to the good fight and Frank Whaley's alcoholic character putting a plug in the jug so that he can offer medical assistance to the injured.
The trapped men are located and, after some digging and more bonding, both are eventually freed from their tomb. We then jump forward two years to see that they have done well in their rehabilitation with baby naming and marital difficulties seemingly resolved.
The films does well not to ponder on the political aspects of the events and focuses more on individual stories. This gives the production some heart, but it also makes it feel somewhat unsubstantial when it covers world changing events. The performances are mixed with a lot of shouting and screaming taking the place of real acting. Your sympathies lie with Cage and Pena from the start and the outcome was never really in doubt. The backstories and family dramas were decent but I didn’t like the wives much and some of the dialogue was too on the nose to be believable.
Overall I’d give the film a pass as it deals with tragic and emotional material well, but I never truly bought into the characters we were offered and their annoying families only served to distance me from the heart of the story. There was a lot to cover in a two hour film and I think ultimately it was a worthy but unsatisfying effort.
Best Bit : The building collapse was well realised and the sets were excellent.
'W' Rating 15/23
No comments:
Post a Comment