No question mark for this seemingly interrogative title - maybe it’s just a report as to the fate of the weekday monikered heroine?
This was a pretty enjoyable Netflix offering with a good cast, plenty of action, nudity and violence to keep things ticking over. The scene is set with a familiar montage over the opening credits as the world goes to shit. Over-population has led to a new policy of ‘one child per family’ with any extra siblings put into 'cryo-sleep' until things get better.
Willem Dafoe lacks a social conscience so when his wife, who dies in childbirth, hatches seven daughters he decides to keep the lot of them. As there are seven he names each after a day of the week, meaning each girl can go out on their name day each week. Lucky he wasn’t a Disney fan or Grumpy would be waiting for Bashful to get out of the goddamn toilet.
Anyway we fast forward 30 years and the plan is going well. Willem has disappeared off the scene with no explanation given - guess he was only booked for the first half hour. The girls share the identity of ‘Karen Settman’ and manage to hold down a job at a bank by giving the others a bed time run down of the day’s events so the rest can pick things up on their day. Guess Saturday and Sunday got the best of this deal!
Things go awry when Monday doesn’t come home after her day at work. The rest, all ably played by Noomi Rapace, try to work out what has happened whilst trying to keep their own secrets safe. Meanwhile evil politician Glenn Close is trying to get to high office where her plans for even more draconian laws spell trouble for everyone - well except the planet.
Soon our fish are well and truly out of the water and the hunt is on - how many will survive and what has happened to Monday?
This was an above average sci-fi thriller. It’s a pretty dystopian 2073 - pissing down and rubbish on the streets are your clues! Some of the tech like the well designed palm phones and a digital punch bag sit uncomfortably with the all rat diet but I guess you can piss away resources on some shiny stuff while making do on rodent stew.
The seven sisters are well realised with predictable quirks and differing haircuts setting each apart and the editing is excellent so you really can’t see the joins when Noomi is on the screen as seven characters all at once. The flashbacks with Dafoe are well done although they did lift that finger chopping bit from ‘The Prestige’ more or less wholesale.
What surprised me was the level of violence with some really brutal men versus ladies fist fights with plenty of blood. I was also surprised that some siblings were lost but not so much about the big reveal.
There was a bit of an attempt for some social commentary regarding climate change and overpopulation, this was however a bit muddled. Glenn Close is seemingly a mental baddie but her policies will save humanity whereas Dafoe is the hero father who's spewing out kids faster than the midwife can catch them. I guess the theme is 'difficult choices' but as Close said if everyone procreated like Dafoe the planet wouldn't last five minutes.
At a bit over two hours the film could have lost 20 minutes, with the last third decidedly flabby. It was however well constructed, so that a potentially confusing tale of seven identical twins was easy to follow. The title was a bit poor though - I’d have went with ‘The Secret Seven’. No wait, ‘Sister Act 7’.
Best Bit : Blonde Karen syncs with the guard
W Rating : 17/23
No comments:
Post a Comment