Showing posts with label walter. Show all posts
Showing posts with label walter. Show all posts

Saturday, 24 October 2015

No.254 : Walter (2015)




No it isn’t a repeat - we’re not the BBC here at the W movie quest you know! This film is a totally different proposition from the ‘Walter’ we reviewed back in Blog 177 Blog 177  - there are no bum wiping for one, so that’s a good start.

This film was released in 2015 and opens with a familiar feeling voice over giving us a bit of insight and back-story to hurry things along. Walter, or Wally to his friends, is a bit of a misfit who has multiple wake up alarms and a job as a ticket ripper at the local multi-plex. We witness his fastidious rituals as he gets ready for the day and meet his over attentive mother who is constantly nagging him to eat more scrambled egg.

As Walter walks to his bus we learn that he thinks he is the son of God and it is his role to judge people to determine if they are going to heaven or hell. He wisely keeps this talent to himself especially with his colleagues who include the lovely Kendall who Walter fancies, and Vince, a by-the-numbers asshole.

Walter seems happy in his ordered life but things take a turn when he is confronted by Greg, a ghost whom only Walter can see. Greg is in limbo and demands to be judged so that he can move on. Walter is disturbed as he can’t sense Greg and this causes him to delve into his own past to try and rationalise his life. He seeks therapy from William H. Macy, in a throwaway ‘one day on set’ performance and gets involved in the impending marriage of Neve Campbell who has some role in Walter's past. Can he find peace and salvation and stop being so annoying?

This was an OK film but one that borrows heavily from others and won’t last long in the memory. The interactions with the ‘ghost’, especially the long shots showing there was no one there, were very reminiscent of the superior ‘Ghost Town’ and none of the characters had anything close to the personalities of Gervais and Kinnear. To be fair the ghost aspect was almost a subplot as the main focus was on the relationship of Walter and Jim.

Jim was a fireman whom may have been Walter’s father but was certainly there for his formative years. As the film progresses we learn that Jim died in hospital and may have known nurse Neve a bit more that is ethical. His death and possible infidelity left Walter and his mother emotionally scarred so that both developed extreme personalities. Walter took on a ‘Son of ‘God’ fixation whilst Mom cooked a lot of eggs. As you’d expect a bit of redemption is on the menu but I wasn’t convinced of the journey that supposedly shook the pair of them from their long term ruts.

The film’s main issue is that Walter, played by Andrew J. West isn’t likable and as the film nears its conclusion you don’t feel like you are rooting for him. You could argue that his difficult character was the main point and focus of the film, but similarly is a O.C.D. ridden socially awkward misfit your idea of a night’s entertainment? Mine neither.

The film was well put together with a lot of nice directorial touches but the predictable indie soundtrack and good looking people inevitably finding happiness seemed a bit flat and negating.

If I had to judge, and I do, I’d say ‘Send it to hell!’.

Best Bit : American Beauty homage/rip off
‘W’ Rating 14/23



Tuesday, 26 March 2013

No.177 : Walter (1982)




A lightening of the mood now with this happy tale of a mentally challenged man who ends up in a loony bin wiping bums - wait! That’s a terrible fate!

Ian McKellan plays the title role in this film which was made for Channel 4’s first night of broadcasting. Why anyone tuned in for night two is a mystery. The tone is set from the off when a caring mother sets her handicapped son on a wall as a train approaches beneath. Once the train passes and the steam clears (for it is the olden days) she is dismayed to see the lad hasn’t fallen to his death - mother of the year she is not.

We learn this was the highlight of Walter’s upbringing and meet him again as a middle aged man with two less than doting parents. Dad has largely switched off and Mum is as harsh as ever - at least she’s generous with her toffees! Walter can talk a bit but is prone to anxiety attacks and is definitely a bit slow in virtually all departments - expect pigeon fancying.

He has a job in a warehouse; but it’s mostly charity and his fellow workers, including a young Keith Allen, are all cruel to him. Soon Dad is dead and it’s just Walter and Mum. They spend this quality time wailing and slapping and it’s no surprise when Mum pops her clogs too. Well it is to Walter who, rather than accept being alone, moves all his pigeons into Mum’s bedroom to keep her corpse happy.

Eventually social services catch wind, or probably the smell, of Mum’s demise and Walter is moved to a sanatorium. This environment is even worse than home and although he gets a bit of action on his first night from a rapist dwarf it’s downhill from there as bum wiping and patient murders are all he has too look forward too. Can we see some hope in Walter’s tale? or is the message that life is hell and you shouldn’t bother getting out of bed?

I must have seen this film 30 years ago and it was grimmer than I remember. It’s basically some poor sod going through hell for 70 minutes with a five second interlude of pigeon affection squeezed in to offer some respite.

McKellan is excellent as the troubled Walter but it’s such a desperate role that it is hard to empathise with the character. Sure you feel sorry for him but he offers nothing in the way of redemption and you can see why his unsupportive parents can’t wait to shift off the mortal coil. The message, if there is one, is nihilistic at best and at worst an exercise in thinking ‘thank God that’s not me’.

The director, Stephen Frears, certainly doesn’t hold back in the stark reality stakes and if there is a shittier bottom in movie history I’ve never seen it (thankfully). The cast, especially those in the latter scenes in the institution are a terrifying bunch given the environment they are placed. Rapes and slashings are prevalent among the inmates apart from the innocent Walter who tries to grin through it all with his buck teeth. Jim Broadbent shows up as an orderly and is possibly the only half decent person on show.

The film closes with a chat between Jim and Walter where the meaning of life is discussed but for the most part this is a depressing downward spiral that offers nothing apart from an excuse for more Prozac. Wikipedia tells me that a sequel was made but frankly I don’t think I could handle anymore - thank goodness then it doesn’t start with a ‘W’!

W Score 13/23
Best Bit - Dead Mum gets a bird shit makeover