Monday 5 October 2020

No.326 : White Cargo (1942)



It’s the present day (well it was in 1942) and a young man is starting work at a rubber plantation in Africa. The office is clean and has air conditioning. 'It wasn’t always like this' says the aging boss as the film dissolves back to the frontier days of 1910.

 


A small group of British rubber workers manage a large plantation and many native workers as they fight the climate, lack of women and disease. The booze soaked doctor wanders about stealing folks’ whiskey and plantation manager Walter Pidgeon is being driven bonkers by the endless steam of young trainees sent to help, who all ask about the hunting and the friendliness of the natives.

 


New man Langford is appalled by the sloppy operation and vows to set a good example by not drinking and shaving every day. His pith helmet and lack of language skills amuse the natives and his plant rearing skills leave a lot to be desired.

 


After half an hour of them floundering about we meet the star attraction - native woman  Tondelayo, played by Hedy Lamar. Tondelayo has a bit of a reputation, possibly as a Hollywood star blacked up as a native, as her hair and make up is always perfect despite the humid jungle conditions and the seeming lack of a hairdressers. Her English is poor and she refers to herself in the third person - ‘Tondelayo like silk and trinkets’. This quickly gets old but Langford is soon mesmerised by her bra top and willingness to please.

 


The other men at the plant, who look to have had their own share of encounters with the naughty native, try to warn him off but soon the pair are married. A few months pass and Tondelayo is bored - will she take ‘till death do us part’ literally and will Pidgeon’s local law mete out a fitting punishment for her? Maybe a trip back to the present day will reveal all!

 


I quite liked the first half hour of this film which saw a bunch of character actors all bicker and offer up a few laughs. Lamarr certainly brightened things up when she arrived but her annoying speech pattern and unlikely look took any realism out of the film and you just knew she was going to screw over the first sucker to give her the time of day.

 


Fair enough she was a cracker, and the jungle didn’t have a lot of options, but it seemed extreme for someone to offer her marriage despite her still asking for tat in the midst of a proposal. Still that’s women for you!

 


I liked Walter Pidgeon best as the Clark Gable like plant manager who was going slowly mad though the heat and tedium of his role. The familiar part of the dipso doc was well executed by Frank Morgan but I was less convinced by the love struck Richard Carlson.

 


The film had good locations and, although I doubt they navigated the Congo for the sets, there was a good sweaty and uncomfortable vibe about the whole affair. If they had made Tondelayo a bit more convincing it would have been a better film but I guess they knew their market and Hedy in a bra for an hour guaranteed success.

 

 
A fun oddity which will probably be buried forever more due to it’s use of black face and indigenous worker abuse - and rightly so!

 

Best Bit : Acclimatise! ‘W’ rating 14/23



 

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